Gallery
In 1974, the Jung Center opened its non-profit gallery space in Houston's Museum District. Preston Morgan Bolton, a noted Houston architect, decorated WWII veteran, civic leader, and key patron of many local arts groups, designed the iconic space. The space exhibits a diverse array of artists and a permanent collection by Peter Birkhäuser. The gallery space presents up-and-coming artists, local artists, Texas based artists, career retrospectives, and established or mid-career artists. Our fine art committee welcomes artists of different backgrounds and abilities to apply to our free annual open call. The Jung Center fosters excellence and diversity through established partnerships with: FotoFest, G5 Collective, Kinder High School for the Performing and Visual Arts, Visual Arts Alliance, and Houston Coalition Against Hate. Support local diversity in the arts by donating to our art space, purchasing art, or using #junghoustonart when sharing your experiences on social media. Our admission is free thanks to donations.
Email us at art@junghouston.org with any Gallery questions!
Gallery Hours:
Monday-Thursday: 10:00am-6:00pm
Friday: 10:00am-4:00pm
Saturday: 12:00pm-4:00pm
“Example Geometry no.6” a new public work by Tom Bandage
“Example Geometry no.6” is a continuation of Tom Bandage’s numbered series of flat-packable, mechanically-fastened works that attempt to produce novel architectural volumes via minimal material intervention. Tilting manufacturing praxis into artistic concept, the space implied by the aluminum boundary is accentuated by the production of an illusory interior/exterior threshold, producing an architecture rather than a bare volume. In this single form, there is an inside and an outside that are always already present. There is no way to perceive the implied volume without creating the divide - one implies the other. The perceived interior, partially occluded by the exterior, is in flux depending on the position of the viewer, as its shadow. The interior faces have a retroreflective coating that further enhances the spectacle of introspection, leveraging naturally occurring light to not only accentuate the divide between inside and outside, but to challenge the ability for the inside to isolate itself from its exterior conditions. Visit the artist’s website here: http://tombandage.com" ["post_title"]=> string(30) "The Spectacle of Introspection" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(30) "the-spectacle-of-introspection" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2023-10-19 18:19:56" ["post_modified_gmt"]=> string(19) "2023-10-19 18:19:56" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=3811" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [1]=> object(WP_Post)#3503 (24) { ["ID"]=> int(3658) ["post_author"]=> string(1) "6" ["post_date"]=> string(19) "2023-06-28 22:06:33" ["post_date_gmt"]=> string(19) "2023-06-28 22:06:33" ["post_content"]=> string(782) "Join us for a free Gallery Talk with Mathieu JN Baptiste on Thursday, December 7, 2023 from 7-8pm.
Dyaspora is an exhibition that examines Caribbean influences on North American culture. Mathieu examines how exploitation and censorship of Caribbean politics impacts Caribbean nations and culture. Dyaspora challenges the viewer to reimagine what achieving the American dream looks like aesthetically, financially, spiritually and emotionally as a first generation immigrant in the United States of America.
Website: https://mathieujeanbaptiste.com/
Motus Anima is an exploration of emotional responses to moments and memories influenced by my experience as a neurodivergent person. Through their conception, I create tangible objects to dissect and reflect on in an attempt to accept my unresolved identity.
Visit the artist’s Instagram page here: https://www.instagram.com/leallen_art/" ["post_title"]=> string(11) "Motus Anima" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(11) "motus-anima" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2023-10-18 17:50:18" ["post_modified_gmt"]=> string(19) "2023-10-18 17:50:18" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=3808" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [4]=> object(WP_Post)#3979 (24) { ["ID"]=> int(3721) ["post_author"]=> string(1) "6" ["post_date"]=> string(19) "2023-08-29 02:25:47" ["post_date_gmt"]=> string(19) "2023-08-29 02:25:47" ["post_content"]=> string(2576) "Selected photographs from three bodies of my work emphasize “alternative” photographic processes: Tongues Turned to Stone (photogravure on gamphi-shi paper), Sanctuary (palladium on translucent vellum), and Long, Long Journey to the Sea (gold-toned albumen). I choose these historical printing processes to evoke the timelessness of my content and my interpretive rather than documentary intent. In comparison, a fourth body of work, Watercourse Way (large digital prints on metallic paper) is a contemporary alternative to the hand-made nature of historical processes.
I create images in order to transform the “reality” seen through the camera lens into an expression of the oneness and wonder found in Taoist/Buddhist philosophy. These photographs are meditations on the constant and inevitable change in nature. The flow of water is one object of this contemplation. The flow of water and the human journey have parallels. According to Eastern philosophy, mankind’s resistance to transformation leads to suffering. Natural symbols are ancient and instinctive. According to the Swiss psychologist Carl Jung, they are archetypes embedded in the “collective unconscious” and do not originate in personal experiences. A classic example is the “sanctuary” archetype, an enduring need. Archetypes exist in a deep well of the unknown that is best expressed through symbol rather than rational thinking. They are revealed by excavating hidden psychological layers rather than by reasoning. To quote Jung: “No genius has ever sat down with a pen or a brush in his hand and said—I will now invent a symbol.” Symbol, an image that stands for something more than it denotes, is like metaphor in that it transfers meaning from one thing to another. Symbolic images are often physical objects that stand in for abstract meaning. Some of my images and their associated metaphors are: • flowing water — life’s journey • swamp — decay, mystery • ice, crystals — transformation • clouds — threat, change • ancient theatre — mystery, ritual • ruins — loss • medieval interiors — sanctuary, refuge • bridges — union, change, hope The dual nature of the pairs explores Nature/Culture interactions. I will be discussing my work at the opening reception on February 17, 2024 from 5 p.m. - 7p.m. More about my exploration of imagery may also be found on my website: http://www.TimothyMcCoyPhoto.com" ["post_title"]=> string(14) "Beyond My Lens" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(14) "beyond-my-lens" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2023-08-29 02:27:49" ["post_modified_gmt"]=> string(19) "2023-08-29 02:27:49" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=3721" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } } ["post_count"]=> int(5) ["current_post"]=> int(-1) ["in_the_loop"]=> bool(false) ["post"]=> object(WP_Post)#3504 (24) { ["ID"]=> int(3811) ["post_author"]=> string(1) "6" ["post_date"]=> string(19) "2023-10-18 22:44:12" ["post_date_gmt"]=> string(19) "2023-10-18 22:44:12" ["post_content"]=> string(1277) "“Example Geometry no.6” a new public work by Tom Bandage
“Example Geometry no.6” is a continuation of Tom Bandage’s numbered series of flat-packable, mechanically-fastened works that attempt to produce novel architectural volumes via minimal material intervention. Tilting manufacturing praxis into artistic concept, the space implied by the aluminum boundary is accentuated by the production of an illusory interior/exterior threshold, producing an architecture rather than a bare volume. In this single form, there is an inside and an outside that are always already present. There is no way to perceive the implied volume without creating the divide - one implies the other. The perceived interior, partially occluded by the exterior, is in flux depending on the position of the viewer, as its shadow. The interior faces have a retroreflective coating that further enhances the spectacle of introspection, leveraging naturally occurring light to not only accentuate the divide between inside and outside, but to challenge the ability for the inside to isolate itself from its exterior conditions. Visit the artist’s website here: http://tombandage.com" ["post_title"]=> string(30) "The Spectacle of Introspection" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(30) "the-spectacle-of-introspection" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2023-10-19 18:19:56" ["post_modified_gmt"]=> string(19) "2023-10-19 18:19:56" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=3811" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } ["comment_count"]=> int(0) ["current_comment"]=> int(-1) ["found_posts"]=> int(5) ["max_num_pages"]=> float(1) ["max_num_comment_pages"]=> int(0) ["is_single"]=> bool(false) ["is_preview"]=> bool(false) ["is_page"]=> bool(false) ["is_archive"]=> bool(false) ["is_date"]=> bool(false) ["is_year"]=> bool(false) ["is_month"]=> bool(false) ["is_day"]=> bool(false) ["is_time"]=> bool(false) ["is_author"]=> bool(false) ["is_category"]=> bool(false) ["is_tag"]=> bool(false) ["is_tax"]=> bool(false) ["is_search"]=> bool(false) ["is_feed"]=> bool(false) ["is_comment_feed"]=> bool(false) ["is_trackback"]=> bool(false) ["is_home"]=> bool(true) ["is_privacy_policy"]=> bool(false) ["is_404"]=> bool(false) ["is_embed"]=> bool(false) ["is_paged"]=> bool(false) ["is_admin"]=> bool(false) ["is_attachment"]=> bool(false) ["is_singular"]=> bool(false) ["is_robots"]=> bool(false) ["is_favicon"]=> bool(false) ["is_posts_page"]=> bool(false) ["is_post_type_archive"]=> bool(false) ["query_vars_hash":"WP_Query":private]=> string(32) "66f58387ce9f0d5639ac0d2d867ef4a8" ["query_vars_changed":"WP_Query":private]=> bool(false) ["thumbnails_cached"]=> bool(false) ["allow_query_attachment_by_filename":protected]=> bool(false) ["stopwords":"WP_Query":private]=> NULL ["compat_fields":"WP_Query":private]=> array(2) { [0]=> string(15) "query_vars_hash" [1]=> string(18) "query_vars_changed" } ["compat_methods":"WP_Query":private]=> array(2) { [0]=> string(16) "init_query_flags" [1]=> string(15) "parse_tax_query" } }Our exhibits



January 06, 2024 - February 14, 2024
Primary Colors: Dan Gorski Paintings, 1962-65
Dan Gorski


Permanent exhibits

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