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Click here for submission instructions." ["post_title"]=> string(69) "Visions: A Celebration of the Creativity of The Jung Center Community" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(70) "visions-a-celebration-of-the-creativity-of-the-jung-center-community-2" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-04-26 18:21:32" ["post_modified_gmt"]=> string(19) "2022-04-26 18:21:32" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=2294" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [1]=> object(WP_Post)#3256 (24) { ["ID"]=> int(2230) ["post_author"]=> string(1) "5" ["post_date"]=> string(19) "2022-03-18 15:58:02" ["post_date_gmt"]=> string(19) "2022-03-18 15:58:02" ["post_content"]=> string(2127) "A personal dream inspired this body of paintings: "It’s very dark at night. I’m on a bicycle and on my lap is the cutest baby girl. Her head is round and full. As I’m passing cars on the road at high speed I saw a very large man running from behind. He's catching up with us. His face looks bruised and beaten up. There's blood and open wounds on his face and chest. He cuts us off and as we stop he yells, ‘Pay me $800! Or just give me the baby!’ He opens his right hand and I see he's holding a very large sharp knife. I know that he's going to stab me. I tell the baby, ‘Don’t worry, nobody will take you from me!’ And I reach for a gun in my pocket and shoot the man in his head. His entire head blows off. And then we keep on biking. And crows fly overhead and lead the way. Hares run in the fields next to us."

"Eating my own Shadow" are paintings in mixed media [acrylic, oil, and graphite] on canvasses prepared with rabbit skin glue. With paintings, I find portals to create a language of colour and forms about the content of the dream. The images are physical forms of human and animal, but done with accident and chance. I shy away from the illustrative, but hold on to irrational mark makings. The painted images are imaginary and invite curiosity. The moods of the paintings are melancholic and eery. The images are dualities and not merely emotions painted out as abstractions. The paintings as a gestalt are a deeply subjective perspective of the dream experience. No logical answers are given to answer what the dream means. Questions remain. The vaguely palpable bodies wish to speak, almost touch, if at all.

The dated psycho-analytic unconscious has made its way with new deconstructions and voicings into the contemporary times. Dreams are only one access of how the unconscious is considered in our times. As a visual artist I examine ideas and speculations currently pertaining to a fresh examination of the unconscious. Visit John Faul's website." ["post_title"]=> string(20) "Eating my own Shadow" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(20) "eating-my-own-shadow" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-04-01 15:55:06" ["post_modified_gmt"]=> string(19) "2022-04-01 15:55:06" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=2230" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [2]=> object(WP_Post)#3255 (24) { ["ID"]=> int(1942) ["post_author"]=> string(1) "3" ["post_date"]=> string(19) "2022-01-28 11:01:09" ["post_date_gmt"]=> string(19) "2022-01-28 11:01:09" ["post_content"]=> string(535) "Beautiful the Wild presents approximately a dozen abstract oil paintings by Houston artist Frances Carter Stephens.  These works express untamed nature—vivid and sometimes unpredictable—as experienced along Texas’s Gulf Coast.  They explore elements of earth, sky, and weather as aspects of the abstract landscape and its dynamic impact on our world.  References to gardens and the changing seasons evoke the life cycle—birth, growth, decline, and death and all of its fierce emotions." ["post_title"]=> string(18) "Beautiful the Wild" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(18) "beautiful-the-wild" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-03-03 20:03:10" ["post_modified_gmt"]=> string(19) "2022-03-03 20:03:10" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=1942" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [3]=> object(WP_Post)#3254 (24) { ["ID"]=> int(1940) ["post_author"]=> string(1) "3" ["post_date"]=> string(19) "2022-01-28 10:58:39" ["post_date_gmt"]=> string(19) "2022-01-28 10:58:39" ["post_content"]=> string(1302) "The exhibition Pale Clay (Influence and Contagion) features twelve textile works that Anna Mayer initiated immediately after her mother’s passing in 2016. At the time of her death, Mayer’s mother was in the middle of knitting a number of excerpts from Paul Klee paintings—he was one of her favorite artists. Mayer has used her mother’s custom patterns to create latch-hook versions of the Klee fragments. She knows which paintings some of the fragments come from; others she hasn’t yet found. Mayer’s practice as an artist revels in the fact that historically ceramics and fiber processes have been used to create highly functional items as well as wildly symbolic objects. Her work is part of this lineage, with equal concern for the future, and its dramatically shifting climate—ecological and political. The works in Pale Clay (Influence and Contagion) celebrate the rending of patriarchal histories. As she draws thousands of fibers through canvas grids, Mayer’s process suggests how influence may occur between realms and generations—materially, with attention to touch." ["post_title"]=> string(35) "Pale Clay (Influence and Contagion)" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(33) "pale-clay-influence-and-contagion" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-01-28 10:58:39" ["post_modified_gmt"]=> string(19) "2022-01-28 10:58:39" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=1940" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [4]=> object(WP_Post)#3253 (24) { ["ID"]=> int(1944) ["post_author"]=> string(1) "3" ["post_date"]=> string(19) "2022-01-28 11:07:51" ["post_date_gmt"]=> string(19) "2022-01-28 11:07:51" ["post_content"]=> string(409) "Tiffany Heng-Hui Lee transforms lines, shapes, colors, and textures to create abstract mixed media collages and sculptures of the natural landscape and environment. Layering of materials provides depth to each piece. Her works possess movement and energy, reflecting the changing, unstable characteristics of nature, as well as the fragmentation and uncertainty of life." ["post_title"]=> string(19) "Embracing the Earth" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(19) "embracing-the-earth" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-01-28 11:20:00" ["post_modified_gmt"]=> string(19) "2022-01-28 11:20:00" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=1944" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [5]=> object(WP_Post)#3252 (24) { ["ID"]=> int(1945) ["post_author"]=> string(1) "3" ["post_date"]=> string(19) "2022-01-28 11:10:42" ["post_date_gmt"]=> string(19) "2022-01-28 11:10:42" ["post_content"]=> string(1520) "Joel McGlasson is a 79-year-old retired architect and a re-emerging artist exploring the nature of color and its expressive forms in abstract painting. In fourth grade, Joel won a scholarship to the School of the Museum of Fine Arts, Houston. At San Jacinto High School he won a Scholastic Arts National Key Award for his work in ceramics. In the late '60s and early ‘70s his work was shown in Houston’s leading galleries and in small group shows at the Museum of Fine Arts, Houston and the Contemporary Arts Museum Houston. By mid-decade, however, McGlasson prioritized his family and sought work as an architect. On a cold call for an available position he was hired largely on the strength of his glass paintings shown at the Louisiana Gallery two weeks before. For the next thirty-five years, he put his art career on hold as he worked on projects for S.I. Morris Associates, Magruder Winfield, Page Architects, and 3D International. Since his retirement in 2011, Joel relaunched his painting career by working with color and abstract forms, first rotating canvasses to create layered grid patterns of dripped paint, then making literal ‘finger paintings’—geometric color studies created directly through the repeated touch of the artist’s fingertip upon the canvas. McGlasson’s first solo show in fifty years features a retrospective of his early work, a survey of paintings from the past decade, and a suite of his most recent paintings, the Engagement Series. " ["post_title"]=> string(17) "Engagement Series" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(17) "engagement-series" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-01-28 11:10:42" ["post_modified_gmt"]=> string(19) "2022-01-28 11:10:42" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=1945" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [6]=> object(WP_Post)#3251 (24) { ["ID"]=> int(1947) ["post_author"]=> string(1) "3" ["post_date"]=> string(19) "2022-01-28 11:13:21" ["post_date_gmt"]=> string(19) "2022-01-28 11:13:21" ["post_content"]=> string(261) "Once a year, The Jung Center showcases the artwork of its students, members, instructors, volunteers, and staff. The artists work in a variety of media to explore their own inner journeys and find meaning in everyday life." ["post_title"]=> string(69) "VISIONS: A celebration of the Creativity of The Jung Center Community" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(68) "visions-a-celebration-of-the-creativity-of-the-jung-center-community" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-01-28 11:17:51" ["post_modified_gmt"]=> string(19) "2022-01-28 11:17:51" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=1947" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [7]=> object(WP_Post)#3250 (24) { ["ID"]=> int(1949) ["post_author"]=> string(1) "3" ["post_date"]=> string(19) "2022-01-28 11:15:11" ["post_date_gmt"]=> string(19) "2022-01-28 11:15:11" ["post_content"]=> string(1437) "This is the first exhibition in which three separate bodies of my work have been shown together.  Each series unique, yet combine to manifest the experiences that make up my current stage of life journey. Series: Collage Paintings is defined by the materials that comprise the works--acrylic paint married with papers and drawing implements from different cultures I have been influenced by along the way. Series: Lagoon Hues is inspired by time in Iceland. More specifically, from my stay at the Blue Lagoon—a geothermal spa with striking milky blue waters set amidst vast lava fields. Series: Square State Escape reflects a summer escapade through the Wild West, in an effort to make the best of the once unimaginable 2020 lockdown. These works are marked by a change in palette and more direct reference to landscape. Making art is about my visions as they build layer upon layer over time.  As I paint, the work takes on a life of its own.  Each painting feeds off of the previous, creating a dialogue.   Once complete, the body extends that dialogue to include the viewer--playing a vital role in bringing his/ her own interpretation." ["post_title"]=> string(19) "Journeys Remembered" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(19) "journeys-remembered" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2022-02-04 19:08:09" ["post_modified_gmt"]=> string(19) "2022-02-04 19:08:09" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=1949" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [8]=> object(WP_Post)#3249 (24) { ["ID"]=> int(1833) ["post_author"]=> string(1) "1" ["post_date"]=> string(19) "2021-11-02 02:47:05" ["post_date_gmt"]=> string(19) "2021-11-02 02:47:05" ["post_content"]=> string(550) "By feeding birds during the day, Tania captured real expressions and actions that transformed into drawings and paintings during the night. In the silence of the night, observing small noises, Tania created several Magic Birds with actions and expressions that she saw and many other that would be in a hole in a hollow tree trunk or in a drawer of her mind or even in your mind...and you will only know it when they reveal themselves to you. After all, they are Magic!" ["post_title"]=> string(24) "Magic Birds in the Night" ["post_excerpt"]=> string(0) "" ["post_status"]=> string(7) "publish" ["comment_status"]=> string(6) "closed" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(24) "magic-birds-in-the-night" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2021-11-02 02:57:34" ["post_modified_gmt"]=> string(19) "2021-11-02 02:57:34" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(54) "https://junghouston.org/?post_type=exhibit&p=1833" ["menu_order"]=> int(0) ["post_type"]=> string(7) "exhibit" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } [9]=> object(WP_Post)#3136 (24) { ["ID"]=> int(1951) ["post_author"]=> string(1) "3" ["post_date"]=> string(19) "2022-01-28 11:17:24" ["post_date_gmt"]=> string(19) "2022-01-28 11:17:24" ["post_content"]=> string(1541) "The creative process of the Swiss artist Peter Birkhäuser (1911-1976) took a striking turn when he entered midlife. A successful and influential graphic artist, Birkhäuser entered a deep depression and sought answers in the ideas of C.G. Jung; he recorded and explored his dreams, entered into analysis with Marie-Louise von Franz, and eventually developed a friendship with Jung himself. As it became more difficult for Birkhäuser to finish his creative assignments, he began to illustrate images from his dreams. Over the course of 35 years, he kept notes on over 3,400 of his dreams, and his work increasingly focused on the images emerging from his unconscious. His new work was not well-received by the art community of the time, but his enlarged relationship to the unconscious brought great personal healing. Viewed today, his vivid paintings bear striking testament to the disruptive and transformative reality of the individuation process. Few artists have so powerfully evoked the uncanny otherness of the unconscious. The Jung Center of Houston, Texas is grateful to have received these works of Birkhäuser as permanent gifts from Jungian analyst Dean L. Frantz of Ft. Wayne, Indiana and from the Birkhäuser children, Eva Wertenschlag-Birkhäuser and Kaspar Birkhäuser, both of Switzerland. These testimonies to the power of the creative work of a person in dialogue with the unconscious were dedicated to future generations on April 22, 2000." 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The artists work in a variety of media to explore their own inner journeys and find meaning in everyday life.

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